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⬤ Are your delays causing your mixes to sound muddy & messy?
⬤ Are you always wondering how to set up your delays?
⬤ Are you confused about whether you need to add to your channel or a bus?
⬤ Do your tracks lack movement & space?
⬤ Do you struggle to add delay to vocals?
⬤ Are your delays causing phase issues or weakening your low end?
⬤ Do you just want to know how to set up your delays for a pro sound?
Delay should make a track feel bigger and more alive.
But for a lot of producers, it can do the opposite. Tracks turn muddy, feel too busy or empty, and sounds start getting lost in the mix.
I put this tutorial together because delay is often misunderstood and producers are left with many questions as to how to use delay in their tracks and how to set them up for the best results.
In this tutorial, I show how I actually approach delay in my tracks, Leads, Hits, Bass, Pads, Percussion, Vocals & More, along with the two fundamental rules I use when using delay so that I can get creative. How timing choices change everything, why some parts have delays and others don’t, and why delay can expose problems rather than fixing them.
This isn’t about presets or copying exact settings. It’s about understanding delay well enough to start being confident with it.
If delay has ever felt like the reason your tracks don’t sound as pro as others, or you would like to see how someone else approaches delay to gain a different perspective, this will change how you look at using delay.
⬤ How I approach delay in my tracks
⬤ How I approach delays for Leads, Hits, Bass, Pads, Percussion, Vocals & more
⬤ The two rules I always stick to so I can experiment with delays
⬤ My favourite types of delay for certain elements
⬤ How delay can be used to create depth in your tracks
⬤ How to understand delay timing using LFO Tool
⬤ The delay settings I never use
⬤ How to add width with your delays while keeping the body of the sound
⬤ How to eq and mix your delays
⬤ How to set up your delays so that your low end stays punchy
⬤ My thought process around why I may add more or less delay
⬤ When I will use delay on a track VS a send and why
⬤ How to get creative with multiple delays
⬤ How to get creative with delay EQ
⬤ How to use delay to fill gaps instead of cluttering the mix
⬤ My thoughts around sending everything to the same delay on a bus
+ more!
Allan Morrow – International Trance DJ/Producer. Tracks signed to labels such as Armada, Blackhole Recordings, Discover Records, FSOE, Kearnage Recordings, Mental Asylum Records, Pure Trance, Outburst Records & Many more!
Yes. Please don’t restrict yourself from the knowledge inside this tutorial due to having another DAW. All the techniques you will learn in these videos can be implemented into your own DAW.
***Please note – You can use any DAW of your choice to follow along with this tutorial.
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